Saturday, July 25, 2009

A Different Kind of Arch

The road sings beneath the truck’s tires. Literally sings in deep tones and high ones, running the scale one moment, staying on the same note for other moments at a time. It starts somewhere around mile 285 on I-80 in Nebraska, lasts maybe 25 miles. The road has a peculiar ribbing here, the lines just wavy and off-kilter enough to create and change harmonics as I drive. I miss the music after the road goes smooth again.

Travelers I’ve met have called I-80 through Nebraska the “boringest” drive in the US. I have found it, in mid summer, to be lovely and easy on the mind and spirit. I expected only flat flat flat fields, horizon to horizon. What’s here are flat highway (great hauling mileage), with tree-edged rivers and cornfields, cattle plains, and grain-processing plants that pop up out of the green like oil refineries in a Mad Max desert.

I see lakes, farm rooftops, rivers. Metal grain silos squat near their houses, wearing peaked little coolie hats. Wheeled irrigation systems stretch across fields like delicately arched monorails. Tall skinny radio towers pipe my NPR station, plus scads of other options. Across Utah and Colorado, I could hardly scan a handful of stations that offered good reception through the mountains. In the plains of Nebraska, stations crowd the airwaves barely a decimal point apart on the dial.

The occasional white, steepled church stands stark against the green, looking like it was plunked down from the east coast. Fuel station signs poke above tree lines two miles away, and billboards announce the next attraction or hotel or food opportunity from the edge of a cornfield. Bright, leafy corn, of course, plus low-lying acres of deep-green soybeans, with corn stalks sticking out of them wherever a kernel was missed during the crop rotation.

Today I took the advice of a friend (thanks, Art!) and made a mid-travel stop at The Great Platte River Road Archway at exit 272 on I-80. They have good RV parking. Opened in 2000, this attraction spans the I-80 freeway in Kearney (“carny”), Nebraska, and celebrates the place where four famous westbound trails converged: the Mormon Trail to Utah, the Oregon Trail to the west coast, the California Trail to the gold rush, and the Pony Express to Santa Fe. It’s also on the transcontinental railroad line, the old Lincoln Highway (that famous road I stumbled on in North Platte), the first interstate highway (80), and the first transcontinental fiber optic system.

I was officially greeted by Meke, a stooped trapper leaning on his walking stick. After taking a pretty decent lunch at their onsite buffet, I bought a ticket, donned the headset, and rode the escalator up to one of the most amazing museums I’ve been to. It’s a multimedia, surround-sound, you-are-there walk through time, what you might get if Disney and Caesar’s Palace joined up with the Smithsonian and National Geographic to document the trails to the West over the past 160 years.

A poor shot, but at the top of this escalator is a film loop of wagons and horses crossing the desert. It’s as if you’re joining them on the trail as you go through.


The realistic detail of each tableau almost wrenching.

Stay long enough, and the lighting in this room changes from dawn to dark, with a lightning storm in between. Having just lived through my first storm last night, I recognized the realism of this one. I almost expected to get wet.


Many handcart groups were rescued from a bad winter that stranded them en route to Utah. So true to life that ice glazes the cart and the woman’s skirt.


As food became scarce and the travel harder, not everything made it to their new homes. Gravesites and debris marked many a trail.


A gold rush scene. I could almost smell the buffalo ribs and wanted to read over this guy’s shoulder.


Hang around to watch the day’s delivery through the front door.

The Lincoln Highway credo.

I can relate to this.

And this!

The cross-country road today: I-80.

Patchouli does his own impression of an arch.

Friday, July 24, 2009

Nature’s Light Show

The radio has been announcing storm watches and warnings all week across most western and central counties of Nebraska.

This, my last night in North Platte, brings my first severe weather of the trip. I woke up to lightning about twenty minutes ago, unplugged the 30amp power cord, and am now running the sparest of lights on 12 volt battery. It’s about 11:30pm, I’m in my jammies, in a mostly dark trailer, and staring awed through the windows at an electrical storm that’s riding in from the west.

Lightning flashes through skylights and glass, putting the rig into bright then dark, then grumbles away into thunder some distance off. The air is hot and thick and on edge. Shock after shock of multi-forked lightning crackles. The insides of clouds flash magnesium-white, as if the gods are taking family photos.

The storm moves directly toward our RV park. White-blue light splits thickly across the sky above the border of trees. The thunder rumbles so deeply, I can feel it vibrate through the floor.

I have never heard such singular claps of thunder before, never been directly beneath one. It is a rock-splitting sound that makes me jump. The Catskills Bowling League has come to town for a tournament, and the trailers here could be its next pins.

One crackling flash and its sonic boom are nearly simultaneous, nearly on top of us, and the lights go out in our campground and nearby hotels. They are back on very soon. A ridiculously small amount of rain patters as the storm passes over. The whole event, both spectacular and unnerving, rolls away in thirty minutes.

Thursday, July 23, 2009

Tracks of History

The internal body clock of North Platte, Nebraska, ticks slowly. The posted speed limit is 25mph almost everywhere: residential streets, thoroughfare bridges, industrial areas, cornfield-lined country roads, and stoplight-filled Jeffers and Dewey streets, the two (opposing) one-ways that bisect the town.

Sleepy, tree-lined neighborhoods mix homes with a grocery store, schools, and churches. People sell corn and fresh produce from their front yards and pickup trucks. Most other businesses—strip malls, fast food joints, Starbucks, fuel stations, hairstylists, banks, a Goodwill—congregate in a faded, slightly gritty way along Dewey and Jeffers. During my stay, I continuously tat along these streets in little loops, making only left- or right-hand turns to run an errand or visit a side street and return to my original direction of travel.

Transactions are also slow at the Sunmart grocery store as clerks greet customers by name and ask after family. My ice cream softens on the conveyor belt while the cashier leaves her station, goes to the back office, and checks whether it’s OK for the customer ahead of me to use a certain kind of coupon that her register doesn’t acknowledge. Refreshingly, neither she nor the customer offers an apology for this delay. It’s as if no one knows the force of a pressing schedule here. How different from a life driven by instant messages, the next to-do list, and artificially urgent deadlines.

To enter North Platte from its south side requires crossing the South Platte River. To leave it from its north side requires crossing the North Platte River. I find this logical setup comforting.

In between these rivers sits the entire city of North Platte and one of its many claims to fame: the world’s largest railroad classification bailey (sorting yard), a confluence of one eastbound and one westbound track that split off into over thirty tracks for detaching, rearranging, and reattaching thousands of railcars into trains that will carry only the goods that are meant for their proper destinations. This 24x7 operation processes more than 10,000 railcars a day and is the heartbeat of the Union Pacific railroad.

Among North Platte’s other points of pride is that its state is at the center of the nation’s first transcontinental road, the Lincoln Highway Scenic and Historic Byway (Hwy 30, “America’s Main Street”), whose traffic is now handled mostly by the roughly parallel, multi-lane I-80. It’s home to Buffalo Bill’s personal ranch, Scout’s Rest, where he would retreat between his Wild West Show tours to relax and entertain guests. It’s the stomping ground of its most famous native son, William Jeffers, president of Union Pacific and the “Rubber Czar” of World War II (he stopped the rubber shortage by producing enough synthetic rubber for the war). And it’s the site of one of the most amazing volunteer troop support efforts for World War II—the North Platte Canteen.

Rather than my relating the story of Buffalo Bill and his North Platte home, you can double-click this image to enlarge and read it.

Imagine this front yard as a dirt (and muddy) drive of horses and carriages, with cattle and buffalo fields surrounding, for an idea of what it was like before all the grass and trees were planted.

Exterior of the Cody home, spic and span.

Entry way, original glass.

Like Gaston of Disney’s Beauty and the Beast, Cody apparently used antlers in all of his decorating. These two chairs are original.

Memorabilia in the house includes some of his Wild West Show costumes, saddles, and related programs, as well as private furnishings, awards, honors, and relics from his many scouting years. This three-way mirror traveled with him on almost every Wild West Show.

The current park-like grounds. Cattle graze way in the distance and walk through the headwaters of the creek, which I don’t think is original, given the photos inside the house.

The 1887 barn where so many of his horses and their tack was stored.

The eaves are shaped like rifle stocks.

Interior of the barn, front stalls. Old posters of the Buffalo Bill shows, many almost peeled off the walls now, line the area above the stalls in a back row, and lots of photos and history are posted to read about here. You also get to go up into the full-length hayloft, where they had an ingenious system for stacking hay in vertical chutes that dropped it down into hay feeders below. Kind of like an automatic feeder for horses.

A new museum, The Golden Spike, has room for improvement, but it gives a nice aerial view of the railroad yard and environs (mostly cornfields).

A drawing of the railroad yard. Each line depicts a separate train track for sorting railcars or moving engines to the repair and fueling shops. On two raised “humps,” incoming east- and westbound cars are split off from their trains and sent by gravity down the proper track to join others and an engine. The cars on each newly formed train must be grouped in a specific order based on the order of their arrival to the next destination, so they can easily be dropped off at the right city and the rest of the train can continue on.

Railroad cars to the horizon.

The Lincoln County Historical Museum has more to offer than its humble façade and $3 fee would suggest. An 18-building western prairie village (shown here) is at the back, and artifacts and antiques since the turn of the century are arranged inside in appealing groupings. Vacuum cleaners through the ages (OMG, I recognize that old upright Kirby), old hair dryers and perming machines, a mock radio station, outmoded movie-theater projectors and cameras (remember flash cubes?), areas set up as complete dining rooms, kitchens, and parlors. I practically had the place to myself for a couple of hours.

A fort building in the village has been converted to a child-friendly spot where people are encouraged to handle farm implements, tools, and buffalo.

A manufacturer of jail cells, from the 19th century heyday of steel in Detroit.

Their handiwork.

No telling where this sign originally hung in North Platte. Now it’s relegated to a warehouse of farming machines in this museum. The back reads “CHANGE TO MOUNTAIN TIME HERE. Set Watch Back One Hour.”

One honkin’ big mixer. Makes the one at Camp Burton on Vashon look like it came from an Easy Bake Oven kit.

The Lincoln County Museum also has an exceptional exhibit on the World War II Canteen of North Platte. You walk though a brief setup of the war and its effect on the town, then past lots of story-telling memorabilia for how the canteen started and what it was like to work at and be there. I sat down to watch almost an hour of the excellent video documentary that interviewed 70- and 80-year-old women who worked at the canteen, and some of the soldiers who had visited it.

The canteen was a spontaneously organized, all-volunteer group that started because a few women wanted to greet the US servicemen whose train stopped in North Platte (and every one of them did) on their way to deployment in the war. The train stop was only ten minutes, but every serviceperson on it received free coffee and snacks and homemade baked goods, and was sent on his/her way with the good wishes of all of North Platte. The small idea quickly grew into a multi-town program, with food and ingredients donated and driven to North Platte from all over Nebraska. Sandwiches, fruit, cigarettes, donuts, endless urns of coffee. Every day they gave away more than 20 birthday cakes to the servicemen, even if it wasn’t their birthday.

A sample canteen table, one of scores that eventually took over an area of the Union Pacific train depot, donated by Jeffers for the cause. The canteen served thousands of soldiers daily, week in and week out, eastbound and westbound, for four years—over six million servicemen and women all told.


WWII servicepeople who visit the museum today can record their memories of the canteen in a three-ring binder. Many comment on what this small hospitality meant to them so far from home and with so uncertain a future. A few noted that they had to good fortune to pass through twice: once at deployment, and again on their way home.

Local visitors are encouraged to identify people they may recognize in old photos of canteen workers. This image was full of stick-on notes.

Back home, Patchouli dreams of taking his lasso skills on the road with Buffalo Bill.

Monday, July 20, 2009

Sound Rocks, Crazy People

Ever baked a cake or a batch of brownies and had the batter erupt into edges that got all crusty and made weird shapes on the top? That’s about the same effect as what happened on the earth’s crust to create Red Rocks Amphitheater in Golden, Colorado, where great chunks of the Rockies were pushed up thousands of thousands of years ago. Only instead of yummy dry cakey stuff jutting up into space, you’ve got walls of red rock rising like ships out of green grass and surrounding stone.

What’s more, a few of these monolithic rocks are sized and combined and aligned in just the right way to produce a natural, almost perfect, acoustical theater.

Native Americans had long used this area for sacred ritual, and European and American opera singers, musicians, and audiences flocked to it in the late 1800s and early 1900s for its high-fidelity sound. But it took an enterprising entrepreneur, a talented architect, and the United States CCC (Civil Conservation Corps, pre World War II), to turn the space into a real money-making venture. Working within the constraints of rock and valley, they designed and built a 70-row amphitheater that exploits all the natural gifts of the area while retaining its true beauty.

Since its first Easter sunrise service in 1947, Red Rocks has hosted innumerable big-name performers. Johnny Cash. Sting. Ella Fitzgerald. The Beatles. Joan Baez. U2. The Go Gos. You name them, they’ve probably played here—or will very soon. (Tickets are still available for Flogging Molly in Sept 2009, if anyone’s interested.)

OK, for all its fame, I know virtually nothing about music concerts, so I had no idea this place existed until a local advised me to see it. I arrived about 10 a.m. on a Monday, not knowing what to expect except maybe some nice little hikes and a repeat of the beautiful rocks of Utah.

At 10 on a Monday morning, there are crazy people here. Dozens of them. Wearing shorts and tank tops and track shoes. Panting and pounding and sweating. They are charging up and down the hundreds of steps. They are running back and forth on the rows, working up from the stage to the highest seats, sprinting some rows, trotting others. Some are on stage heaving iron kettlebells. Others are high-stepping sideways with their trainers down the rows—one foot on the seat, right knee to left elbow, touch ground, bounce, step down one level. Trainers are bellowing “Another lap, Susan, keep it up!” and three people are working their way along the south set of steps by running down a flight sideways to the right, up them sideways to the left, and advancing down to the next flight to repeat. The temperature is above 80 degrees. Even the runners’ dogs are smart enough to stop in the shade.

I meander among all this energy, slowly, methodically, in full appreciation of this gorgeous place, plodding my way up the steps and trying not to get tired just watching these other people.

Memorial to the CCC crew of young men who built this place.

Environs.



The Ruby Falcon, for scale.

Visitors Center (circa 1990s) is the round building at the left. The CCC crews lived at a camp in the valley below when they built the amphitheater in the 1930s and 40s.

This scale model of the amphitheater was very helpful...the place is really too big to take in at once.

Red Rocks is very near Dinosaur Ridge, home and death place of many a stegosaurus and other thunder lizards.

The sealife came big in those days, too. I suspect this clam-like fellow would have fed a whole tribe, had it been around at the same time as humans.

The museum documents everyone who has played at Red Rocks.



Some of those crazy people.

Views from the top.



This puppy is 300 feet tall, and has a matching one at the other side of the seating.

Backstage buildings.

Imagine facing the audience from this vantage point. One performer said he loved playing here because he could see the faces of everyone in the crowd, even at the back row.

All the concrete for the seating platform was poured by hand; the engineers devised a unique system for making it flow evenly as they worked down the amphitheater. The rest is red rock and wood.

Even water runoff was handled with remarkable brickwork.

More info at http://www.redrocksonline.com/pages/visiting/hist_geo.html